Wednesday, December 14, 2011

Turiiya reviewed



Kim Wesney, Daryn Linwood and I had a performance group called Turiiya some years ago. We produced a few albums together, namely 'Salutations', 'Waiting' the EP and 'Waiting the album' as well as 'Daughters of the Flame' and we were distributed by Jayrem Records. One of the tracks 'Thread of Gold' did really well, and was shown on TV. Recently Kim wrote to me and said to check this out:

http://bubblingdusk.blogspot.com/2010/09/turiiya-waiting.html

"Here's a very special LP that quickly crept into being one of my favorite new spins of 2010... My friend Callum mentioned this Kiwi folk-psych long-player in an e-mail exchange a few months ago as being a true delight, and so I immediately tracked down a copy to check it out. I was quickly sucked into their lush cosmos of nocturnal vocalizations, looming cello runs, and odd drawn out song structures. The record in a sense seems born out of some loose stage of new age phenomenon, hailing from the late date of 1986, and the band being annointed with a Hindu word meaning, "pure conciousness," in turn much of the lyrical flavor comes through on this level: gorgeous female vocals intoning the depths of the forest, the Aboriginal "Dreaming," vantages onto island travel and living a small life in the bounds of Anglo Oceania - calling to mind at times Campion's wonderful film, Sweetie, as well a host of other celestial and earthly energy fields. Musically the group is indeed first and foremost a kind of loose aggregate of spirituality born to sound. Sonically I can't help but flash on things like Comus or the Christ Tree... yet Turiiya are of their own place and time, and it would be reductive to just tag them with the much overused folk-psych tag and be done with it. They seem formed within some kind of a far flung indie rock scene, but simultaneously orbiting well beyond the identity politics and catch-phrase jingo-ism that usually inform those kinds of records. I know New Zealand had its share of shambolic forthright female outfits in this time period, yet Turiiya still seems to be beckoning from a mistier clime... In any case, being hard to pin is one of my favorite aspects in sound, so I'll let my hypotheses rest here. The record is a mash of organic, strange, illuminated ideas and it really should just be enjoyed" Jack Fleisher, USA

Reading this review by a music lover gave me goose bumps, remembering how these songs were recorded in Harlequin Studio and written in the Mamata Bakery loft and hill tops of Bethells Beach, songs that were powerfully charged, about the environment, womens issues, Maori land rights, ships in the harbour, and songs of love and longing. We played at local festivals dressed like something from outer space at a time when the Topp twins, Karen Hunter, the Freudian Slips and others were in full swing. There was a theatrical/sonic/visual slant to our performance, using unique instruments, such as whale caller, cake tins and cutlery, a bowed bass, ships bells, and other experimental sounds as well as acoustic guitars, bass, drums and piano.

This album is now available, at www.jyoshna.com and innersong.com

A new chapter begins

A new chapter in my life has begun. I'm back in NZ, though its not really 'back' as so much has changed from the ten years ago when I was living here. its actually really 'present' and 'future' scenarios that I imagine while processing wounds and the ecstatic highs of the past. On a political level, Helen Clarke has made a very significant mark on this country, especially regarding indigenous people's issues, but now has gone and we have a new government.

Having been on tour, really since February when I went to Brazil for the first time, I have lived out of a suitcase for ten months, but a very magical suitcase that has given me a wider perspective, successfully rid myself of a few unnecessary dogmas from my mind's closet and added a little more courage to help adjust to this new adventure. No matter what, I'm envisioning a bright future, not just for me, but for everyone.

There has always been talk about great changes in 2012, and those changes are already taking place on every level. I feel the responsibility to keep a positive attitude to these changes that inevitably happen at an end and beginning of something new, both personally and globally.

Just how? I have to imagine, first what it could really be like if further environmental, political and economic disasters happen, how can I cope as well as be of assistance? How can I be ready for this? Are songs and meditations for self realisation enough? No, not at all, but its a good start. Meditation for the heart and mind first thing in the morning and at the end of the day is an invaluable asset for preparing oneself to deal with the experiences of life (using Baba nam kevalam, is great as a mantra if one doesn't have one's own, which simply means 'everything is an expression of the Supreme').

Secondly, making space for good to come 'into', and 'out' from my life. Remembering to surrender before every significant action, big or small and being open to different perspectives as we don't know what will be the outcome. We make our reality, together and alone!. There's something that I experienced at Wall Street a few months ago will never leave me. Many different groups of concerned people were listening to each other, cooperating and supporting each other. Groups who normally have nothing to do with one another were brought into contact and were working together towards a united cause. It can be hard at first, but what are the alternatives? A greater recession, further social and economic exploitation, more suicides?

I believe that
if we sing, we go high,
if we touch, we can cry;
if we cooperate, we survive;
and if we love, we thrive.

Thursday, August 18, 2011

New Music Videos

http://www.youtube.com/watch?v=DB_UroWfA1A You are mine
http://www.youtube.com/watch?v=b5XH1YJ3yFA Tiny green island
http://www.youtube.com/watch?v=E34q97YhY4E Sakal maner vina

Brasil tour dates:
July 12- 17th, VisaoFuturo, Sao Paulo
July 18 - 26th – Performance at Anandakiirtana Retreat site, Rio de Janeiro
July 27 – 2nd August, at Fortaleza, seaside hotel.
August 2- 5th - Caixa de sol at Carla and Kalatiitas place.
6pm lecture at the Federal University, Music hall.
August 6-10th, Florianopolis
Performance at Yogaluc,
Federal University of Santa Catalina, Florianopolis: Workshop.
August 10-17th- Brasilia,
Performances at Terraviva
TV shows at Uniao Planetaria
August 17th – 21st, Sant Joseph rio Preto
Workshop/presentation and performances
August 22nd – 30th, Sao Paulo
Workshop at Cecelia studio.
further venues to be confirmed.

UK Event:
London, Sept. 10th Performance at 3A Cazenove Road, Stoke Newington, London.

Tour of Boston, USA
September 14- 29th, Performance tour hosted by Prakask Laufer: Venues to be confirmed.

Wednesday, May 18, 2011

Performance at the Shannon Arts festival, June 3rd

Workshop/Performance at the Shannon Arts festival, June 3rd, 8pm
at: the Snug, Mount Shannon, Co. Clare, Ireland

on the "Sounds of Ecstasy"

by: Dr. Jyoshna La Trobe, author of over 19 solo albums and workshop leader, who is coming to Ireland to give a presentation of her research on the music culture of Rarh, India and sing some of her original songs.

Accompanied by Kavita Neuman on Indian khol drum.

Sunday, March 20, 2011

A few reflections on Brasil - Part I


The Parque (Visao Futuro):

On the 24th, of January after a 17 hour flight, I finally meet Gustavo Prudente at the airport, the organiser of the tour. Previously I had only known him by his voice on the telephone, now for the first time we meet in reality and I see his smile echoes the warmth of his voice. Cecilia, singer, sound therapist and my host in Sao Paulo is also there to greet me. The next day I travel with Radha to the Parque, Visao Futuro, the project created by Susan Andrews an extraordinary woman originally from America but living in Brasil for fifteen years hence.
Thinking of my time at the Parque I can feel the transformation my life underwent when I came there and how I gained new perspectives on spiritual communities. When I close my eyes, I remember the heavenly environment: water fountains, colourful smiling faces, secret gardens, juicy mangos, bamboo circles, different spaces, buildings, some round, some rectangular never square, loving hearts and generous smiles. I make new friends, meet wonderful artistes, witness people dance in ecstasy to sounds and songs, as we sing with full voices in a spiral of love.

Tears rise and fall as I remember, and how long it has been since I saw you. Through the pain I am cleansed of searing longing as Susan's words drop like nectar into my heart, to heal and gently open my mind to the present, “He is yours and yours alone”, and I follow her message with the song “You are mine” as tears of love and acceptance fall from many eyes.

On the final night a woman from Salvador partners me in a dance before the akhanda ‘endless’ kirtan performance begins. It’s a joy to see everyone dancing and singing and when tired, resting inside the hall, together as one family listening to the blissful sounds of the universal mantra Baba nam kevalam. The next day is full of baby smiles, flower baths, gentle caresses, families coming together in tears and laughter. I am full of gratitude for the beautiful time had at the Parque. If heaven exists on this earth, it is here.

Though I am unwell physically, I participate in the filming of Rodrigos video of “You are mine”

See: Jyoshna and Friends tour (rodrigoska)
http://www.youtube.com/watch?v=DB_UroWfA1A

In Sao Paulo, Gustavo organises a spiritual circle in a vegetarian restaurant, called Vegethus. Enclosed beneath wooden apex ceilings the sound carries far and wide. The comradeship within is warm and contagious.
On Thursday, at Semente Una, we have another performance as people join in playing traditional instruments. Later we eat delicious pizza together with jokes to laugh about.

In Campinas I travel with friends to our destination. Our hosts have decorated the hall so beautifully with flowers and hang prayer flags outside leading to the hall. The people who arrive, are more than expected. Those who cannot fit, stand in the doors and peer through the windows to watch. Inside many are dancing as it grows into an ecstatic party! Afterwards a small group run down the road after the car, laughing, dancing and singing, so all the neighbours can hear how crazy we are!

The next day, the Rarhi kirtan workshop in Cecelias studio is very well attended, with around 20 people, singers, musicians, and interested people who are inspired to learn about Rarh music culture and the supra aesthetic science of kirtan.

In Casa Moksa, Sao Paulo, our group sing the evening away with songs and kirtans to an attentive audience. A real favourite on the night was Dadao’s “Oh divine father”, dedicated the song to his son Henrique, who was born that day, a real cause for celebration! Another favourite was “Tiny Green Island” sung in Spanish, English and Portuguese. See videos:

Jyoshna La Trobe na Casa Moksha em São Paulo
http://www.youtube.com/watch?v=iq_7hPIAawY&feature=related
Sakal maner vina - Jyosna La Trobe no Brasil.Mp4.
http://www.youtube.com/watch?v=Ggp0Lz2XJPk&feature=autofb

In Sao Paulo I visit Didi Anandajaya’s projects in the favellas. She has established five (if not more) of the most beautiful, well equipped schools in a region that is renowned for its crime and poverty. The children actually love going to school where they learn new life skills and begin to explore their talents and potentialities.

Belo Horizonte:
Indrajit kindly accompanied me to my next destination Belo Horizonte, and my host is Kaoshikii whose lovely apartment I stay in. A concert organised at a dance studio in the centre of the city. Dadão accompanies me, as well as Indrajit on the melodica, Helder Araújo on tabla with Anandi singing backing vocals and reading translations. The next day, Luiza and Indrajit take us on a journey sight seeing to Ouro Preto (black gold). I am especially moved by the local crafts people who are making beautiful colourful objects out of sandstone.

At the Federal University of Minas Gerais where Anandi works, I deliver a lecture on my research on Rarhi Kirtan and teach the people to sing some traditional songs. It ends with everyone in high spirits, talking and sharing experiences. Running late, Anandi races me to the airport to catch my flight to the next city, Fortaleza.

Fortaleza:
I am received by Manfred and Nirmala at the airport and taken to the seaside resort run by Sharada and Manfred, a place that specialises in teaching kite surfing and other retreats. People of various religious and social backgrounds to come together as we choreograph the programme to incorporate different workshops, such as a Feldenkrais, and kirtan, a first for many. Highlights of the retreat:
Fortaleza jyoshna (manalucena)

http://www.youtube.com/watch?v=mdVX5C1qZ8o&feature=related

Another highlight is going to see a “maracatu” performance in the city after the retreat with a group of us. We learn to play the triangulo and dance the night away, it was such a fantastic fun evening.

The next day, after a radio interview, we go to meet a very diverse group of local musicians, led by Maria, an actress and singer who hosts the radio programme. It’s so interesting to hear their stories, share their music and exchange CD’s.

On the Thursday, I give a lecture on Rarhi kirtan accompanied by Paulo at the Federal University of Ceara where Geisa works as a professor. After many technical hitches, I present my research, footage, and begin teaching the kirtan melodies. It ends up being a song party with around 160 students and professors clapping and singing traditional kirtan loudly! Some are even brave enough to sing the lead parts (udara, mudara tara) and dance in front to entertain us. The pizza ritual afterwards, (something that was instigated by Susan’s students apparently), is gladly followed by us as we review the week’s activities with interest.

Friday, January 07, 2011

Tour of Brasil

Tour Dates of Brasil:

Thanks to Gustavo and friends again, I will be on tour in Brasil for 6 weeks. Here's the daes and places so far,
SAO PAULO
Jan 24th, 5th - Park Visao Futuro, Sao Paulo State
Feb 1st Sao Paul City
Feb 3rd: Sementye Una (Community Centre)
Feb. 4th: Campinas, Casa Ananda.
Feb 5th : Workshop in Sao Paulo

BELO HORIZONTE:Feb. 8th - 11th Workshop

FORTALEZA: Feb 11th and 12th
Feb 17th: Federal University of Ceara

RIO DE JANEIRO: Feb 18th

BRASILA: FEb 23rd: Retreat
March 2nd PORTO ALEGRE: Retreat.

More details coming soon.

Monday, December 06, 2010

Singing for the children of Haiti on Dec. 30th


I am a member of the Addison Singers and participated in a performance of Sacred songs by Bach (Mass in G) and Finzi at St Michael and All Angels Church, Turnham Green on Saturday night. We sang with the orchestra's accompaniment (oboe especially) and the soloists gorgeous voices. My starting errors and difficult moments gave way to bold expression, as the Chorus surged together into soaring unity. For days after I have the lingering sound of Bach's music resounding inside, inspiring me to compose some new choral music.

The lecture/workshop was given at Limerick University on the 24th of November in a state of the art studio, to students obviously interested in Chanting and Ritual (the course title). By the time I got there (after a train delay) the students were wondering what had happened, but it inspired me to share my research experiences with even more passion.

At the experimental kirtan event on the 27th, Tapasi showed her evocative visuals, Fabio improvised on keyboards, Mike Neeson played bass, Kavita on khol and myself on guitar and lead vocals. It wasn't as intimate as the first, but endearing still with a community of singers building from among us.

Monday, November 29, 2010

Prabhat Alloi (Prabhata's home)

Prabhat Alloi is a charity set up by Shivanii Cameron, Tinku Mahato and friends, to support the villagers in and around Dabar village in West Bengal. Shivanii came to film the kirtan with me in 2006 and fell in love with the depth and sincerity of the people and the raw beauty of the place. Since then she has been working with Tinku on establishing an orphanage, school, medical centre and other service projects.

Now Shivanii and I are organising a Culture Tour of Rarh in March 2011 for 10 days. It will be an amazing cultural/spiritual journey into this ancient region, with visits to the Chhau masked martial dancer, the mystic Baul singers, the ecstatic kirtan performances, the dancing girls 'nacini nach' as well as an exciting forest expedition. I will keep you updated about that as it develops.

You can also follow the Prabhat Alloi Foundation via the link below:
http://prabhatalloi.blogspot.com.